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Free for Commercial Use

Sans Superellipse Idrot 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Muller Next' by Fontfabric, 'Bumper' by HVD Fonts, and 'Karibu' and 'Movida' by ROHH (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, punchy, retro, assertive, impact, branding, display, blocky, rounded corners, compact, squared bowls, stencil-like.


Free for commercial use
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A heavy, compact sans with a rounded-rectangle (superellipse) construction. Strokes are monolinear and dense, with squared bowls softened by generous corner radii, creating a sturdy, machined silhouette. Counters are small and mostly rectangular, apertures are tight, and terminals tend to end in flat cuts, giving the face a strong, poster-ready texture. Curved letters like O/C/G read as squarish rounds, while diagonals in K/V/W/X are broad and weighty, maintaining consistent color across lines.

Best suited to short, high-impact text where dense stroke weight and compact counters can work as a visual feature: headlines, posters, sports and team branding, bold packaging statements, and attention-grabbing signage. It will be most effective at medium to large sizes where its tight apertures remain clearly readable.

The overall tone is bold and utilitarian, balancing a friendly roundness with an unmistakably forceful, no-nonsense presence. It evokes athletic and industrial signage aesthetics, with a slightly retro display feel driven by its chunky geometry and compressed counters.

The design appears intended to deliver maximum impact through a rounded-rectilinear geometry that stays cohesive across uppercase, lowercase, and numerals. Its consistent weight, tight counters, and flattened terminals suggest a display-first approach aimed at bold, branded messaging rather than delicate text typography.

The lowercase shows simplified, sturdy forms with minimal modulation and a distinctly geometric rhythm; dots on i/j are square and the punctuation feels block-matched to the letterforms. Numerals follow the same superelliptical logic, with tight inner spaces and strong, stable proportions.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸