Sans Superellipse Idrot 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Muller Next' by Fontfabric, 'Bumper' by HVD Fonts, and 'Karibu' and 'Movida' by ROHH (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, punchy, retro, assertive, impact, branding, display, blocky, rounded corners, compact, squared bowls, stencil-like.
A heavy, compact sans with a rounded-rectangle (superellipse) construction. Strokes are monolinear and dense, with squared bowls softened by generous corner radii, creating a sturdy, machined silhouette. Counters are small and mostly rectangular, apertures are tight, and terminals tend to end in flat cuts, giving the face a strong, poster-ready texture. Curved letters like O/C/G read as squarish rounds, while diagonals in K/V/W/X are broad and weighty, maintaining consistent color across lines.
Best suited to short, high-impact text where dense stroke weight and compact counters can work as a visual feature: headlines, posters, sports and team branding, bold packaging statements, and attention-grabbing signage. It will be most effective at medium to large sizes where its tight apertures remain clearly readable.
The overall tone is bold and utilitarian, balancing a friendly roundness with an unmistakably forceful, no-nonsense presence. It evokes athletic and industrial signage aesthetics, with a slightly retro display feel driven by its chunky geometry and compressed counters.
The design appears intended to deliver maximum impact through a rounded-rectilinear geometry that stays cohesive across uppercase, lowercase, and numerals. Its consistent weight, tight counters, and flattened terminals suggest a display-first approach aimed at bold, branded messaging rather than delicate text typography.
The lowercase shows simplified, sturdy forms with minimal modulation and a distinctly geometric rhythm; dots on i/j are square and the punctuation feels block-matched to the letterforms. Numerals follow the same superelliptical logic, with tight inner spaces and strong, stable proportions.