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Free for Commercial Use

Sans Superellipse Gibak 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric, 'Corelia' by Hurufatfont, 'Baru Sans' by Kereatype, 'PT Root' by ParaType, 'Frygia' by Stawix, and 'Nudista' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, utilitarian, impact, clarity, approachability, modernity, simplicity, blocky, rounded, compact, solid, high-impact.


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A heavy, rounded sans with a strong superellipse construction: curves are broad and squared-off, and straight strokes terminate in softened corners. Counters are generously open for the weight, with especially clear bowls and apertures, giving letters a sturdy, readable silhouette. Proportions feel compact and geometric, with consistent stroke thickness and minimal modulation; diagonals (A, V, W, X, Y) stay crisp while retaining the overall rounded tension. The numerals match the letterforms closely, with simple, bold shapes and smooth, stable curves.

Best suited to headlines and display settings where its weight and rounded geometry can deliver immediate impact. It works well for branding, packaging, and signage that benefit from a sturdy, approachable voice, and for short UI labels or promotional callouts where clarity and presence matter more than delicate detail.

The overall tone is bold and straightforward, projecting confidence without feeling aggressive. Rounded corners and wide curves add a friendly, approachable warmth, while the geometric structure keeps it contemporary and functional. It reads as energetic and attention-getting, suited to designs that want clarity and momentum.

Likely designed as a high-impact geometric sans that stays friendly through rounded terminals and superellipse curves. The emphasis appears to be on strong silhouettes, consistent rhythm, and dependable legibility in large text, making it a practical choice for modern, bold communication.

The design balances strong fill with clear internal spaces, helping letters like B, R, P, and 8 remain distinct at display sizes. Shapes lean toward a squared-round rhythm rather than purely circular geometry, creating a cohesive, engineered feel across the alphabet and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸