Sans Superellipse Pygan 7 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Bebas Neue Pro' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'Hardley Brush' by Negara Studio, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, modern, assertive, utilitarian, space-saving, high impact, modern utility, geometric clarity, blocky, sturdy, compact, geometric, square-rounded.
This typeface is a compact sans with a strong vertical stance and tight, economical proportions. Letterforms are built from sturdy strokes with rounded-rectangle (superellipse-like) curves, producing squarish counters and softened corners rather than purely circular bowls. Curves and straights connect cleanly with minimal modulation, and terminals tend to finish flat, reinforcing a blocky, engineered feel. The lowercase keeps a large internal space relative to its height, and the overall rhythm stays consistent across text, with forms like o/e/c reading as squarish rounds and joins kept simple and direct.
It performs best where a compact, high-impact sans is needed: headlines, posters, labels, and signage that must stay legible at a glance while conserving horizontal space. It can also support branding systems that want a modern, industrial edge, especially in short bursts of text or UI/wayfinding-style callouts.
The overall tone is practical and punchy, with a contemporary, industrial voice. Its compact shapes and squared rounding feel functional and no-nonsense, leaning more toward engineered clarity than friendliness. In heavier settings it reads commanding and attention-grabbing without becoming decorative.
The design appears intended to deliver a robust, space-saving sans with a squared-rounded geometric personality. By combining firm vertical structure with softened superellipse curves, it aims for clarity and impact while maintaining a distinctive, engineered silhouette.
The numerals and capitals share the same squared-rounded geometry, giving headings a cohesive, signage-like texture. The compressed width and firm stroke endings create a dense typographic color, making spacing and line breaks feel tight and efficient in paragraphs or stacked text.