Sans Superellipse Kune 2 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, branding, logos, packaging, posters, futuristic, tech, sporty, industrial, sci‑fi, display impact, modern branding, interface tone, geometric consistency, rounded, squared, extended, modular, streamlined.
This typeface uses chunky, rounded-rectangle construction with soft corners and largely uniform stroke thickness. Curves are squarish and controlled, producing bowl shapes that feel like superellipses rather than true circles. Terminals are blunt and horizontal, counters are compact and neatly radiused, and many forms rely on straight segments joined by smooth quarter-rounds. The overall rhythm is wide and stable, with generous horizontal spans, low contrast, and a geometric, engineered consistency across capitals, lowercase, and numerals.
Best suited to short-to-medium display settings where its broad, rounded-square shapes can read clearly and create impact—such as headlines, brand marks, tech and gaming UI titles, sports/event graphics, packaging, and posters. It can work for subheads and short blocks of text when set with ample spacing, but its dense counters and heavy presence make it less ideal for small body copy.
The font conveys a modern, machine-made tone—clean, strong, and performance-oriented. Its rounded-square geometry suggests digital interfaces, motorsport branding, and sci‑fi display aesthetics, balancing friendliness from the softened corners with an assertive, technical edge.
The design appears intended to deliver a bold, contemporary display voice built from rounded-rectangular geometry, prioritizing a sleek, engineered impression and consistent, repeatable forms. It aims to feel modern and functional while remaining approachable through softened corners and smooth joins.
Distinctive details include squared bowls (notably in C/O/Q and rounded-rectangular numerals), compact apertures, and a generally closed, aerodynamic feel that favors solidity over calligraphic nuance. The italic is absent in the samples, and the character set shown emphasizes a cohesive, modular system with consistent corner radii.