Sans Superellipse Kumy 6 is a very bold, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, sports, gaming ui, futuristic, techno, industrial, assertive, sporty, impact, modernity, tech aesthetic, display branding, squared, rounded corners, geometric, modular, extended.
A heavy, extended display sans built from squared, superelliptical forms with generously rounded corners. Strokes are monolinear and mostly orthogonal, with frequent use of straight horizontals/verticals and clipped curves that read like rounded rectangles. Counters tend to be compact and rectangular, and several letters incorporate stencil-like breaks or inset bars that create a segmented, engineered rhythm. Terminals are blunt and flat, spacing is relatively tight for the width, and the overall texture is dense and high-impact, remaining highly consistent across caps, lowercase, and figures.
Best suited to large-scale applications where its dense, modular detailing stays crisp: headlines, posters, esports or sports branding, game titles, and tech or industrial-themed interfaces. It can work for short UI labels or navigation elements when set with ample size and spacing, but is less ideal for long-form reading due to its compact counters and strong stylistic cuts.
The design conveys a distinctly futuristic, machine-made tone—confident, technical, and performance-oriented. Its squared curves and cut-in details evoke sci-fi interfaces, motorsport graphics, and industrial labeling, giving text a bold, tactical presence.
The font appears designed to deliver a strong, contemporary display voice with a synthetic, engineered construction. Its squared superellipse geometry and recurring cut-in motifs suggest an intention to feel fast, technical, and highly controlled while maintaining legibility through consistent structure and simplified, monolinear strokes.
Distinctive internal notches and horizontal cutouts appear in multiple glyphs (notably in forms like E/S and several lowercase), which adds character but also increases visual noise at smaller sizes. Numerals share the same modular construction, with a straight, engineered feel that matches the caps. The punctuation shown (e.g., period, colon, exclamation) follows the same sturdy, squared logic.