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Free for Commercial Use

Sans Normal Mulep 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Pragmatus' by Graphite, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, 'Almarose' by S&C Type, 'TT Commons™️ Pro' by TypeType, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, chunky, retro, high impact, approachable, display voice, brand friendly, retro nod, rounded, soft, bubbly, stout, compact.


Free for commercial use
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A heavy, rounded sans with smooth, inflated strokes and compact internal counters. Curves dominate the construction, with softly squared terminals and minimal stroke modulation that keeps color even across lines. Uppercase forms are broad and blocky, while lowercase maintains a sturdy, simple structure with single-storey a and g and a short, utilitarian ear on g. Numerals are bold and highly legible, with closed forms that read cleanly at large sizes and retain a compact footprint.

Best suited to headlines and short bursts of copy where its rounded heft can carry personality—brand marks, packaging, posters, and storefront-style signage. It can work for UI labels or buttons when a friendly, high-impact look is desired, but it’s most effective at larger sizes where counters and shapes have room to breathe.

The overall tone is upbeat and approachable, combining a toy-like softness with assertive mass. Its chunky silhouettes and rounded geometry give it a casual, friendly voice that can feel slightly retro, like classic signage or packaging display type.

The design appears intended to deliver maximum impact with a warm, non-threatening character—pairing bold density with rounded geometry to feel energetic and approachable rather than severe. It emphasizes simple, sturdy letterforms that prioritize immediate recognition and a cohesive, display-forward rhythm.

Spacing appears generous enough to prevent dark clumping despite the heavy weight, helping the text sample maintain a steady rhythm. Round letters (O, C, G, e) show consistent curvature, while diagonals (V, W, X, Y) stay sturdy and blunt, reinforcing the font’s solid, poster-ready presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸