Print Edmin 10 is a bold, very narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, horror, album art, packaging, rugged, vintage, spooky, handmade, quirky, hand-inked feel, aged print look, high-impact display, atmospheric tone, distressed, condensed, textured, irregular, inky.
A condensed, heavy handwritten print with a rough, inked texture and irregular edges. Strokes show wobble and slight tapering, with occasional blobby terminals that feel brush- or marker-like rather than mechanically drawn. Counters are relatively tight and often uneven, and verticals dominate the rhythm, giving the design a tall, compressed silhouette. Spacing and widths vary from glyph to glyph, reinforcing the hand-rendered character while remaining generally legible in short lines of text.
Best suited to display settings where texture and personality are desirable—posters, title treatments, book or album covers, themed packaging, and event graphics. It can work for short blurbs or pull quotes when set with comfortable tracking and generous line spacing, but it’s most effective for punchy headlines and branding accents.
The font projects a gritty, old-world mood with a hint of theatrical menace. Its distressed, inky forms feel handmade and imperfect in a deliberate way, suggesting pulp horror, vintage posters, or a worn print impression. Overall, it reads as expressive and slightly eerie rather than clean or refined.
The design appears intended to mimic hand-inked lettering with a worn, imperfect print feel, prioritizing atmosphere and character over uniform precision. Its condensed proportions and bold presence aim to maximize impact in limited horizontal space while keeping a distinctly handmade voice.
Uppercase forms are especially tall and narrow, and the lowercase maintains a similarly compressed stance with simple, print-like construction. Numerals match the same distressed texture and irregular stroke endings, helping headings and short callouts feel cohesive. The texture is prominent enough that very small sizes may soften the rough detail.