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Sans Superellipse Agrif 11 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic P', and 'Dharma Gothic Rounded' by Dharma Type and 'Tungsten' by Hoefler & Co. (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, authoritative, utilitarian, modern, space saving, high impact, signage clarity, modern utility, blocky, rounded corners, rectilinear, compact, tall proportions.


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A compact, condensed sans with tall proportions and a strong, uniform stroke weight. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superelliptical feel rather than purely circular forms. Terminals are mostly blunt with softened corners, and apertures stay relatively closed, producing dense, dark word shapes. The rhythm is steady and vertical, with simple, monoline construction and minimal modulation across the alphabet and numerals.

Best suited to headlines, posters, and display settings where condensed width and strong presence help text punch through. It works well for signage, labeling, and packaging that benefits from dense, space-efficient typesetting and an industrial visual voice. For long passages, it will be most effective in short, emphatic bursts rather than extended reading.

The overall tone is firm and no-nonsense, with an industrial, signage-like presence. Its compressed build and blocky rounding read as modern and utilitarian, leaning more toward functional clarity than warmth or elegance. The heavy color makes it feel assertive and attention-seeking, suited to straightforward, high-impact messaging.

The design appears intended to deliver maximum impact in limited horizontal space while maintaining a clean, modern sans structure. Its superelliptical rounding and blunt terminals suggest a goal of combining industrial sturdiness with controlled softness, creating a compact display face optimized for bold, functional typography.

Round characters like O, C, and G keep a distinctly squared interior space, and joints maintain a consistent, engineered feel. Lowercase forms appear built for compact setting, with sturdy stems and restrained detailing that preserves boldness at small sizes while remaining tightly packed in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸