Sans Superellipse Gikib 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february; 'Pierce Jameson' by Grezline Studio; 'Aspire Narrow', 'Midsole', and 'Tradesman' by Grype; and 'Enamela' by K-Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, app ui, industrial, techno, sporty, futuristic, assertive, impact, modernize, signal strength, systematic geometry, display clarity, rounded corners, squared curves, blocky, compact, high contrast (space).
A heavy, block-built sans with squared skeletons softened by consistently rounded corners. Curves resolve into rounded-rectangle bowls (notably in C, O, Q, and the numerals), and joins are clean and mechanical, producing a crisp stencil-like solidity without actual breaks. Counters are compact and mostly rectangular, with even stroke weight and a tight, efficient rhythm that stays legible at display sizes. Lowercase forms are straightforward and sturdy, with minimal modulation and simplified terminals that keep the overall texture uniform and dense.
Best suited to headlines, posters, packaging, and bold brand marks where a compact, high-impact texture is desirable. It can also work for UI labels, esports or athletic identity systems, and tech-oriented graphics when used at sizes that preserve its tight counters and angular details.
The overall tone feels engineered and utilitarian—confident, tough, and slightly futuristic. Its rounded-square geometry reads as modern and digital-adjacent while remaining approachable due to the softened corners, giving it a sporty, hardware-like energy.
The design appears intended to deliver maximum impact through compact, rounded-square geometry—combining the firmness of industrial signage with a contemporary, digital-friendly smoothness. It prioritizes strong silhouettes and uniform texture for clear recognition in short phrases and titles.
Several glyphs emphasize a geometric, sign-making logic: the E and F use squared apertures, S is angular with rounded turns, and the numerals echo the same rounded-rectangle construction. The dot on i/j is a small square, reinforcing the modular feel, and spacing appears optimized for bold headline settings where strong silhouettes matter most.