Sans Superellipse Gikas 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'JH Oleph' by JH Fonts, 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, and 'Hyperspace Race' and 'Hyperspace Race Capsule' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, industrial, sporty, techy, confident, friendly, impact, modernity, durability, clarity, brand presence, blocky, geometric, rounded corners, compact, squarish rounds.
A heavy, geometric sans with superelliptical construction: curves resolve into rounded-rectangle bowls and counters, producing squarish circular forms in letters like O, C, and G. Strokes are consistently thick with minimal modulation, and corners are broadly radiused rather than sharp, giving a sturdy, machined look. Terminals tend to be flat and decisive, and apertures are relatively tight, emphasizing a compact, punchy silhouette. Numerals follow the same rounded-rect logic, with strong, simple shapes designed to hold up at large sizes.
This font excels in headlines, posters, and branding systems where a bold, modern voice is needed. Its compact, rounded-rect forms work well for logos, product packaging, labels, and signage—particularly in contexts that benefit from an industrial or sporty feel. For longer reading, it is better used sparingly or at generous sizes to keep the dense counters from feeling heavy.
The overall tone is bold and assertive while staying approachable due to the softened corners and rounded geometry. It suggests contemporary industrial design—practical, durable, and slightly sporty—well suited to messaging that needs to feel strong without becoming aggressive.
The design appears intended to deliver maximum visual impact through a consistent, geometric superellipse skeleton and strong, simplified letterforms. It prioritizes a contemporary, engineered aesthetic with friendly rounding, balancing toughness and approachability for display-centric typography.
The superellipse rhythm is especially apparent in the bowls and interior counters, which read as rounded rectangles rather than true circles. The weight and tight interior spaces make it most comfortable in short bursts of text where impact and clarity are prioritized over airy openness.