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Sans Normal Dylip 1 is a regular weight, wide, medium contrast, italic, normal x-height font visually similar to 'Murs Gothic' by Kobuzan, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Pragmatica' by ParaType, 'NeoGram' by The Northern Block, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: branding, headlines, product ui, sports, posters, modern, dynamic, technical, confident, clean, contemporary tone, add motion, clear readability, display impact, oblique, streamlined, geometric, open forms, crisp.


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A slanted sans with a streamlined, right-leaning construction and mostly monolinear strokes. Curves are smooth and fairly geometric, with open counters and generous apertures that keep letters readable at speed. The proportions feel horizontally extended, with wide rounds and stable, straight-sided stems; terminals are clean and unembellished. The overall rhythm is even and contemporary, with consistent spacing and a clear, utilitarian numeral set.

This font suits branding and headline work where a modern, forward-leaning voice is helpful, and it can also perform well in product/UI contexts for labels, navigation, and short runs of text. Its clear forms and open counters make it a solid option for posters, sports/event graphics, and technical marketing where pace and clarity matter.

The design reads modern and kinetic, suggesting motion and efficiency without becoming decorative. Its oblique stance adds urgency and a mildly technical, engineered tone, making it feel purposeful and contemporary rather than casual.

The font appears designed to deliver a contemporary sans voice with built-in motion through an oblique structure, balancing geometric clarity with practical readability. It aims to feel efficient and current, supporting attention-grabbing display use while remaining clean enough for functional interface and editorial applications.

Round glyphs maintain a broad, elliptical feel, while diagonals (in forms like N, V, W, X, and 7) emphasize the forward-leaning momentum. The lowercase retains straightforward, uncluttered shapes, and punctuation in the sample text sits cleanly within the slanted flow.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸