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Free for Commercial Use

Sans Normal Dylip 6 is a regular weight, very wide, medium contrast, italic, normal x-height font visually similar to 'Helonik Extended' by Ckhans Fonts, 'Murs Gothic' by Kobuzan, 'Belle Sans' by Park Street Studio, 'RF Dewi' by Russian Fonts, and 'NeoGram' and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, branding, posters, sportswear, packaging, sporty, technical, dynamic, modern, confident, impact, motion, modernity, clarity, oblique, geometric, rounded, clean, boldish.


Free for commercial use
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This is a slanted sans with broad proportions and a forward-leaning rhythm. Strokes are smooth and largely monolinear, with gently rounded joins and terminals that read as softly cut rather than sharply pointed. Counters are open and oval, and the curves feel constructed from simple geometric arcs, giving the alphabet a consistent, engineered feel. The wide set and italic angle create prominent word shapes and generous internal space, while the figures follow the same rounded, streamlined construction for a cohesive texture in text.

It suits headline and display applications where an energetic, modern voice is needed—such as sports, tech marketing, product branding, and bold editorial callouts. It can also work for short bursts of emphasis in UI or signage, especially when a forward-moving, confident tone is desired.

The overall tone is energetic and assertive, with a contemporary, performance-oriented feel. Its oblique stance and wide stance suggest speed and motion, while the clean geometry keeps it professional rather than playful.

The design appears intended to combine clean geometric simplicity with a dynamic italic slant, producing a wide, high-impact sans for attention-grabbing typography. The consistent curve logic and open counters suggest a focus on legibility at larger sizes and a strong, contemporary presence.

The wide spacing and large, rounded counters help maintain clarity at display sizes, and the italic angle produces a strong directional emphasis in headlines. The design reads best when given room to breathe, as its expansive proportions can dominate compact layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸