Sans Superellipse Imbuv 11 is a very bold, wide, low contrast, italic, tall x-height font.
Keywords: sports branding, esports, headlines, posters, packaging, futuristic, sporty, aggressive, techy, energetic, speed, impact, tech aesthetic, branding, rounded corners, squarish rounds, compact apertures, oblique slant, heavy terminals.
A heavy, oblique sans with squarish, superelliptical curves and rounded-rectangle counters that keep the silhouette compact and aerodynamic. Strokes are largely uniform, with softly chamfered corners and horizontally emphasized forms that feel carved from a single block. Apertures tend to be tight and interior shapes are small and rectangular, giving letters a dense, high-impact texture. The overall rhythm is forward-leaning and mechanical, with crisp joins and sturdy, low-detail construction that holds up at display sizes.
Best suited to high-impact display work such as sports and esports identities, event posters, product packaging, and bold promotional headlines. It also fits UI or motion graphics where a futuristic, performance-oriented voice is desired, especially when set with extra spacing or in short bursts of text.
The tone is fast, assertive, and contemporary, evoking motorsport graphics, sci‑fi interfaces, and performance branding. Its oblique stance and chunky geometry communicate momentum and toughness rather than friendliness. The rounded corners temper the aggression just enough to feel sleek and engineered.
The design appears intended to merge a streamlined italic attitude with rounded-rectangle construction, delivering a modern, high-energy display sans that feels engineered and fast. It prioritizes strong silhouettes, compact counters, and a cohesive superelliptical system to create a distinctive, punchy presence.
The numerals and capitals match the same squared-round geometry, producing a consistent, modular feel across alphanumerics. Because counters are relatively enclosed, readability improves with generous tracking and larger sizes, where the distinctive inner cutouts and slanted rhythm become a feature rather than a constraint.