Sans Superellipse Firoh 4 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Bunken Tech Sans Wide' by Buntype, 'Bantat' and 'Paisal' by Jipatype, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Phonk' by Slava Antipov, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, sports branding, futuristic, motorsport, techy, aggressive, compact, speed emphasis, modern branding, tech aesthetic, high impact, oblique, rounded corners, squared rounds, extended, geometric.
A heavy, forward-leaning oblique sans with broad, extended proportions and a compact, high x-height. Forms are built from rounded-rectangle geometry: bowls and counters read as squared rounds with softened corners, while terminals are clean and mostly horizontal, often with sharp, cut-in joins. Stroke weight is consistently strong with minimal modulation, and spacing feels tight-to-moderate, producing a dense, high-impact texture in text. The numerals and capitals keep wide, stable silhouettes, and the overall rhythm emphasizes speed through slanted verticals and flattened curves.
Best suited to display typography where impact and motion are desired: headlines, posters, apparel and sports branding, product marks, and packaging. It can work for short UI labels or interface accents when a futuristic or performance aesthetic is intended, but its dense weight and wide set favor larger sizes over long-form reading.
The font conveys a fast, modern tone—akin to motorsport graphics, sci‑fi interfaces, and performance branding. Its wide stance and aerodynamic oblique angle feel assertive and engineered, while the rounded-corner construction keeps the voice sleek rather than harsh.
The design appears intended to deliver a streamlined, high-energy sans with squared-round geometry and a consistent slant, prioritizing punchy presence and a contemporary, engineered feel for branding and display settings.
Counters tend to be rectangular or superelliptical, giving letters like O/Q and lowercase o a technical, modular look. The oblique angle is consistent across uppercase, lowercase, and numerals, and the wide footprint makes short words look especially bold and sign-like at display sizes.