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Sans Superellipse Orgey 13 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Swiss 721' by Bitstream, 'Newhouse DT' by DTP Types, 'Helen Bg' by HS Fonts, 'Etrusco Now' by Italiantype, 'Helvetica' by Linotype, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, modern, utilitarian, sporty, impact, space saving, systematic, clarity, blocky, condensed, compact, rounded corners, square curves.


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A compact, heavy sans with tight proportions and rounded-rectangle construction across bowls and counters. Curves read as softened corners rather than fully circular forms, giving letters a squared, superelliptical profile. Strokes are broadly uniform with sturdy terminals, producing dense black shapes and small, controlled apertures. The lowercase shows a tall x-height with simplified, vertical emphasis, while numerals match the same squared-round geometry for a consistent, workmanlike texture in text.

This font suits high-impact display settings such as headlines, posters, and bold brand marks where compact width and strong presence are desirable. It can also work for packaging and signage that needs a modern, functional voice, especially when used in short bursts rather than long passages.

The overall tone is forceful and pragmatic, with a no-nonsense presence that feels contemporary and industrial. Its dense forms and compact rhythm suggest urgency and impact, lending a sporty, sign-like energy to headlines and short statements.

The design appears intended to deliver maximum visual weight in a compact footprint, using squared-round forms to keep the letterforms friendly while still feeling engineered and firm. The consistent geometry across caps, lowercase, and figures suggests a focus on cohesive, system-like typography for attention-grabbing display use.

Counters tend to be narrow and rectangular, and joins stay clean and structured, which helps maintain clarity at large sizes. The design favors straightforward, engineered shapes over calligraphic nuance, creating a steady, repetitive rhythm that reads best when given generous tracking or ample line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸