Sans Superellipse Irve 9 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, logos, sports branding, playful, punchy, friendly, retro, chunky, impact, approachability, retro display, bold branding, rounded, blocky, soft corners, compact counters, heavy terminals.
A dense, heavy sans with rounded-rectangle construction throughout, where curves resolve into squarish bowls and softly clipped corners. Strokes are thick and steady, with small, compact counters that stay open but read as tight at text sizes. The overall rhythm is broad and stable, mixing flat-sided verticals with smooth superellipse curves in letters like O, C, and D. Joins and terminals tend to be blunt and squared-off rather than tapered, giving the design a solid, poster-like footprint and consistent color across lines.
Best suited to headlines and short statements where its mass and rounded geometry can carry strong visual presence. It works well for posters, packaging, and branding that want a friendly, high-impact look, and it can also fit sporty or playful identity systems where sturdy shapes and quick recognition matter.
The typeface projects a bold, upbeat personality with a toy-like softness created by its rounded corners and inflated shapes. It feels retro and display-driven—confident and a bit cheeky—while remaining approachable rather than aggressive. The tight counters and blocky silhouettes add a sense of weight and impact that reads well in energetic, attention-grabbing contexts.
The design appears intended as a high-impact display sans built from rounded-rectangular primitives, emphasizing bold silhouettes, simplified construction, and a cohesive geometric feel. Its proportions and compact internal spaces suggest a focus on punchy readability and distinctive shape at large sizes rather than delicate text settings.
Round letters are notably squarish, and the numerals share the same rounded-box logic, reinforcing a cohesive, geometric voice. The heavy ink-traps or delicate details are absent; instead the design leans on mass, simplified forms, and consistent curvature for its character.