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Free for Commercial Use

Serif Flared Umno 2 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, editorial, book covers, packaging, posters, classic, bookish, warm, craft, humanist, classic voice, editorial tone, crafted character, strong presence, flared ends, wedge serifs, calligraphic, soft curves, ink-trap feel.


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This typeface is a sturdy serif with flared, wedge-like terminals that widen as strokes meet their endings, giving the letters a sculpted, slightly calligraphic profile. Curves are generous and compact, with rounded bowls and a steady rhythm that reads dark and even in text. Serifs feel integrated rather than sharply bracketed, and many joins show subtle swelling that hints at a broad-pen influence. Uppercase forms are broad and stable, while the lowercase maintains a moderate x-height and compact counters that keep lines cohesive at display-to-text sizes.

It works well for editorial headlines, book and magazine typography, and cover titling where a dark, confident serif is needed. The dense texture and flared terminals also suit packaging, labels, and poster work that benefits from a classic, crafted impression. In longer passages it can deliver a strong, traditional page color, especially when paired with generous leading.

The overall tone feels traditional and literary, with a warm, hand-informed character rather than a strictly mechanical one. Its flared stroke endings add a touch of craft and historic flavor, making it feel authoritative without becoming severe. The texture is dense and confident, producing a reassuring, old-world voice in headlines and short paragraphs.

The design appears intended to blend traditional serif readability with a more hand-shaped, flared-terminal personality. By keeping contrast restrained and concentrating expression in the terminals and joins, it aims to provide a dependable, classic voice with added warmth and visual distinctiveness for display and editorial settings.

The letterforms show slightly individualized proportions—particularly noticeable in the uppercase and the numerals—which adds personality and a lively page color. The ampersand is expressive and the lowercase includes distinctive shapes (notably the ear on “g” and the curved “y”), reinforcing a humanist, editorial feel. Numerals are robust and straightforward, matching the heavy text color of the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸