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Free for Commercial Use

Serif Flared Umno 2 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, editorial, book covers, packaging, posters, classic, bookish, warm, craft, humanist, classic voice, editorial tone, crafted character, strong presence, flared ends, wedge serifs, calligraphic, soft curves, ink-trap feel.


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This typeface is a sturdy serif with flared, wedge-like terminals that widen as strokes meet their endings, giving the letters a sculpted, slightly calligraphic profile. Curves are generous and compact, with rounded bowls and a steady rhythm that reads dark and even in text. Serifs feel integrated rather than sharply bracketed, and many joins show subtle swelling that hints at a broad-pen influence. Uppercase forms are broad and stable, while the lowercase maintains a moderate x-height and compact counters that keep lines cohesive at display-to-text sizes.

It works well for editorial headlines, book and magazine typography, and cover titling where a dark, confident serif is needed. The dense texture and flared terminals also suit packaging, labels, and poster work that benefits from a classic, crafted impression. In longer passages it can deliver a strong, traditional page color, especially when paired with generous leading.

The overall tone feels traditional and literary, with a warm, hand-informed character rather than a strictly mechanical one. Its flared stroke endings add a touch of craft and historic flavor, making it feel authoritative without becoming severe. The texture is dense and confident, producing a reassuring, old-world voice in headlines and short paragraphs.

The design appears intended to blend traditional serif readability with a more hand-shaped, flared-terminal personality. By keeping contrast restrained and concentrating expression in the terminals and joins, it aims to provide a dependable, classic voice with added warmth and visual distinctiveness for display and editorial settings.

The letterforms show slightly individualized proportions—particularly noticeable in the uppercase and the numerals—which adds personality and a lively page color. The ampersand is expressive and the lowercase includes distinctive shapes (notably the ear on “g” and the curved “y”), reinforcing a humanist, editorial feel. Numerals are robust and straightforward, matching the heavy text color of the letters.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸