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Free for Commercial Use

Sans Normal Nibim 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Halenoir' by Ckhans Fonts, 'Afical' by Formatype Foundry, 'Latino Gothic' by Latinotype, 'PG Gothique' by Paulo Goode, 'NeoGram' by The Northern Block, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, ui labels, modern, confident, neutral, friendly, direct, high impact, clarity, modern utility, brand presence, geometric, rounded, clean, solid, contemporary.


Free for commercial use
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This typeface is a heavy, geometric sans with large, open counters and a steady, low-contrast stroke. Curves are clean and near-circular in letters like O, C, and G, while straight-sided forms (H, N, E) keep a crisp, constructed feel. Terminals are predominantly squared and blunt, producing firm joins and an even texture across lines. The lowercase shows simple, single-storey construction (notably the g), with a compact rhythm and clear spacing that supports dense setting without becoming spiky or fragile.

This font is well suited to headlines, posters, and short-to-medium display copy where a strong, modern sans presence is desired. It can also work well for branding elements, packaging callouts, and signage thanks to its open forms and consistent geometry. In interface contexts, it fits best for labels, navigation, and emphasis text rather than long-form reading.

The overall tone is contemporary and straightforward, projecting confidence through weight and broad shapes rather than sharp detail. Rounded bowls add approachability, while the blunt terminals and consistent geometry keep the voice practical and no-nonsense. It reads as modern, dependable, and slightly assertive—well suited to messaging that needs to feel clear and decisive.

The design appears intended to deliver a contemporary, high-impact sans that stays neutral in styling while remaining friendly through rounded geometry. Its constructed shapes and blunt endings suggest a focus on clarity, consistency, and strong typographic presence across both letters and numerals.

In the sample text, the heavy color creates strong emphasis and maintains clarity at larger sizes, while the wide proportions and open apertures help preserve legibility in tight line breaks. Numerals appear sturdy and uncomplicated, matching the same geometric, high-impact presence as the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸