Sans Normal Osmid 15 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Arkit' by CAST, 'Arpona Sans' by Floodfonts, 'Foro Sans' by Hoftype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Inicia' and 'Jasan' by Storm Type Foundry, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, loud, sporty, impact, clarity, modernity, approachability, brand presence, geometric, rounded, blocky, compact, high impact.
A heavy, geometric sans with broad proportions and large counters that keep forms open despite the mass. Curves are built from clean circular/elliptical geometry, paired with flat terminals and crisp joins, giving the shapes a sturdy, engineered feel. Stroke thickness is consistent, with minimal modulation, and the overall rhythm is even and stable in text. Uppercase and numerals read as solid, simplified silhouettes, while lowercase maintains clear bowls and apertures for legibility at display sizes.
Best suited for high-impact display work such as headlines, posters, brand marks, packaging callouts, and short messaging in UI or signage where quick recognition matters. Its weight and width make it especially effective for large type and bold typographic layouts rather than extended small-size reading.
The overall tone is bold and upbeat, with a friendly, approachable solidity rather than sharp aggression. Its generous forms and rounded geometry feel contemporary and energetic, lending a confident “headline” voice that reads quickly and decisively.
This font appears designed to deliver maximum presence with clean geometric simplicity, prioritizing instant readability and a contemporary, approachable character. The consistent strokes and sturdy construction suggest an intention to perform reliably in prominent, attention-grabbing roles.
The design relies on strong negative space and straightforward construction, so it holds up well when set large and tightly spaced. Round letters (C, O, S) and straight-sided forms (E, F, H) feel visually balanced, reinforcing a cohesive geometric system across the set.