Sans Normal Efbaj 15 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Armenian', 'Neue Helvetica Paneuropean', 'Neue Helvetica Thai', 'Neue Helvetica World', and 'Neue Helvetica eText' by Linotype; 'Pragmatica' by ParaType; and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: ui labels, signage, technical docs, infographics, editorial emphasis, modern, clean, technical, efficient, neutral, clarity, emphasis, modernization, utility, neutrality, oblique, linear, open counters, rounded geometry, crisp terminals.
This typeface is an oblique sans with smooth, round construction and a steady, linear stroke. Curves are drawn from clear circular/elliptical geometry, producing open counters in letters like C, O, e, and a. Terminals are clean and mostly straight-cut, and the overall rhythm is even, with moderate spacing and a consistent forward slant across uppercase, lowercase, and figures. The numerals are simple and legible with the same geometric logic, and forms like S and G keep a restrained, streamlined profile.
It suits interface copy, captions, and labeling where an oblique sans can provide emphasis while remaining highly readable. The clean geometry also fits diagrams, dashboards, and technical or corporate materials, and it can work in editorial layouts for subheads or highlighted passages where a crisp, contemporary italic is needed.
The overall tone feels modern and matter-of-fact, with a tidy, engineered clarity. Its italic angle adds a sense of motion and efficiency without becoming expressive or calligraphic, keeping the voice neutral and contemporary.
The design appears intended as a practical, contemporary oblique companion for general-purpose communication—prioritizing geometric clarity, consistent slant, and dependable legibility across text and numerals.
The design emphasizes clarity over personality: rounded shapes stay controlled, joins are smooth, and apertures remain fairly open, which helps the face hold together well in continuous text. The oblique treatment appears uniform across the set, supporting consistent emphasis in mixed-case settings.