Sans Superellipse Otgab 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Panton' by Fontfabric, 'Ordina' by Schriftlabor, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'Gineso' by insigne (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, assertive, clean, friendly, utilitarian, impact, clarity, modernity, approachability, geometric, rounded, blocky, compact, high legibility.
A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Curves read as superelliptical rather than purely circular, giving bowls and counters a squarish, contemporary feel. Strokes are monolinear and sturdy, with compact apertures and tight interior spaces that emphasize a solid, poster-ready texture. Terminals are mostly flat and crisp, while joins are clean and controlled; overall proportions stay steady across the set with a slightly condensed, efficient footprint in many letters.
This design is well suited to headlines, posters, and brand marks where a strong, modern presence is needed. Its dense, even lettercolor works effectively in signage and wayfinding at medium-to-large sizes, and it can also support packaging and UI labeling where clarity and a contemporary geometric tone are priorities.
The tone is confident and direct, balancing a technical, engineered neatness with approachable roundness. It feels contemporary and pragmatic—more about clarity and impact than delicacy—while the softened geometry keeps it from looking harsh. The overall voice suits bold messaging that still wants to read as friendly and modern.
The likely intention is to deliver a robust geometric sans built from rounded-rectangle logic, optimized for clear shapes and strong visual punch. By combining firm, straight-sided structure with softened corners, it aims to feel both modern and approachable while maintaining consistent, high-impact rhythm in text.
Round letters like O and 0 appear as rounded rectangles with vertical stress, reinforcing the constructed, modular rhythm. The Q has a clear internal tail treatment, and the lowercase set maintains simple, sturdy forms with minimal fuss, supporting consistent color in both headline lines and short blocks of text.