Print Homap 5 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Chubbét' by Emboss, 'FF Good' by FontFont, 'Helvetica Now' by Monotype, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, halloween, playful, rustic, folksy, spooky, retro, handmade texture, bold impact, playful display, craft vibe, themed titles, irregular, rough-cut, chunky, hand-drawn, soft corners.
A very heavy, hand-drawn display face with chunky strokes and noticeably irregular contours. Letterforms are built from compact, rounded masses with shallow notches and wavy edges that create a cut-paper or carved-wood silhouette. Curves are full and slightly lumpy, terminals tend to flare or pinch subtly, and counters are small and uneven, boosting the overall darkness on the page. Spacing and sidebearings feel lively rather than systematic, with a slightly bouncy rhythm that emphasizes its handmade character in both caps and lowercase.
Best suited for short, high-impact settings such as posters, headlines, labels, and packaging where its bold mass and textured edges can be appreciated. It works well for playful branding, children’s or craft-oriented materials, and seasonal or themed graphics (especially spooky or retro-inspired). For longer passages, it’s most effective in brief bursts like pull quotes or section headers.
The texture and uneven outlines give the font a warm, craft-forward personality that reads as playful and a little mischievous. Its bold presence and quirky shapes can also tilt toward spooky or storybook tones, depending on color and layout. Overall it feels informal, energetic, and attention-seeking rather than refined or technical.
The design appears intended to deliver maximum visual character through a handmade, rough-edged silhouette—prioritizing charm and personality over strict geometric consistency. Its heavy weight and compact counters suggest a focus on display use, with an expressive, tactile feel that reads quickly at large sizes.
Round letters like O/C/G/Q show organic, asymmetric bowls, while straight-sided forms (E/F/T/H) keep a soft, wobbling verticality that prevents the design from feeling rigid. Numerals match the same chunky, irregular construction, staying legible while retaining the rough-hewn texture.