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Free for Commercial Use

Distressed Yame 8 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Minion' by Adobe, 'Kiperman' by Harbor Type, 'Argos' by Hoftype, 'ITC Pacella' by ITC, 'Periodica' by Mint Type, 'Maxime' by Monotype, 'Eskapade' by TypeTogether, and 'Merong' by Yahya Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, labels, vintage, rustic, gritty, hand-printed, western, evoke age, add texture, simulate print, create grit, signal heritage, slab serif, roughened, inked, textured, irregular.


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A sturdy slab-serif letterform with compact proportions and pronounced, chunky serifs. Strokes show noticeable roughening and small edge chips, creating an ink-pressed, worn impression while maintaining clear counters and a consistent baseline. The texture is applied unevenly enough to feel organic, with slightly varied widths and softened joins that keep the rhythm lively in both caps and lowercase. Numerals follow the same rugged treatment, with bold silhouettes and subtly irregular terminals.

Well-suited for short, attention-setting typography such as posters, product labels, and bold signage where texture can add immediacy. It can work for brief display copy and pull quotes, especially in designs aiming for a printed, archival, or handcrafted feel. For body text, use larger sizes and comfortable spacing to prevent the distressed details from darkening the texture too much.

The font conveys a weathered, old-print character—confident and utilitarian, with a touch of frontier and workshop grit. Its distressed texture reads as authentic and tactile, evoking stamped packaging, posters, and aged signage rather than polished editorial typography.

Likely drawn to deliver a classic slab-serif structure while simulating worn printing or aged material, blending readability with a deliberately imperfect surface. The design prioritizes strong silhouettes and an assertive presence, with distress used to add narrative and tactility rather than obscure forms.

In longer text, the rough edges remain legible but create a dark, dense color; it tends to look best with generous tracking and ample line spacing. The heaviest texture is most apparent in large sizes, where the chipped contours and inky buildup become a key part of the personality.

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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸