Sans Other Addib 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Arlette' by TypeTogether (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, kids media, playful, bouncy, friendly, quirky, chunky, display impact, friendly tone, quirky texture, brand distinctiveness, rounded, soft corners, cartoonish, irregular rhythm, ink-trap like notches.
This is a heavy, compact sans with soft curves and subtly irregular, hand-cut geometry. Strokes are thick and largely uniform, with rounded outer contours contrasted by occasional sharp nicks and wedge-like cut-ins at joins and terminals. Counters are generous and simple, and the overall silhouette feels slightly wavy from letter to letter, creating an intentionally uneven rhythm. The lowercase is sturdy and single-storey where expected, with a bulbous, informal build and clear, high-impact shapes that hold up at display sizes.
It works best for headlines, posters, and branding where a bold, friendly voice is desirable. The weight and simplified forms make it suitable for packaging, event promos, and youth-oriented or playful editorial callouts. For longer passages, it will be most comfortable at larger sizes where the quirky rhythm reads as intentional texture rather than visual noise.
The font conveys a cheerful, cartoon-leaning tone with a mischievous edge. Its chunky mass and offbeat details read as energetic and approachable rather than strict or technical, giving text a lively, hand-crafted character.
The likely intention is a high-impact display sans that feels hand-made and humorous, using soft geometry and small angular interruptions to create a memorable, characterful texture. It appears designed to stand out quickly and communicate warmth and fun in contemporary graphic applications.
The design relies on silhouette more than internal detail, so spacing and word shape become the primary drivers of readability. The distinctive cut-ins and softened corners add personality without turning into overt decoration, keeping the face usable for short blocks while still feeling expressive.