Sans Superellipse Idruk 11 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, signage, retro, industrial, playful, futuristic, architectural, display impact, stencil texture, geometric modularity, brand distinctiveness, rounded, stencil-cut, geometric, blocky, monoline.
A heavy geometric sans built from rounded-rectangle (superellipse-like) masses with crisp, squared terminals and minimal modulation. Many glyphs incorporate narrow vertical cut-ins and slits that split bowls and stems, creating a stencil-like rhythm while keeping counters compact. Curves are broad and disciplined, joins are smooth, and the overall silhouette reads as chunky and modular, with consistent stroke thickness and tight interior spaces.
Best suited to large-scale typography such as headlines, posters, and branding where the stencil-like splits and rounded blocks can read clearly. It also fits packaging and signage that benefits from a bold, cut-out aesthetic and a strong, graphic word shape.
The repeated vertical incisions and soft-cornered blocks give the face a distinctly retro-futurist and industrial tone, like signage cut from solid material. Despite the weight, the rounded geometry keeps it friendly and graphic, lending a playful edge to an otherwise machine-made, architectural presence.
The design appears intended to merge superelliptical geometry with stencil-inspired cut lines, producing a bold display voice that feels both manufactured and stylized. Its consistent, modular construction suggests an emphasis on visual impact, repeatable patterns, and strong branding recognition.
The cut details are especially noticeable in rounded letters and figures, producing strong patterning across words and a distinctive texture at display sizes. Spacing appears designed for bold headlines, where the internal splits remain legible and contribute to the font’s signature look.