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Free for Commercial Use

Stencil Maje 5 is a very bold, normal width, low contrast, upright, tall x-height font.

Keywords: posters, headlines, branding, packaging, signage, industrial, authoritative, retro, tactical, graphic, stencil aesthetic, bold display, signage feel, thematic branding, graphic impact, geometric, blocky, modular, split, high-impact.


Free for commercial use
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A heavy, geometric display face built from broad, simplified strokes and near-monoline construction. Letterforms are carved with consistent stencil breaks—often as vertical seams or short horizontal notches—creating strong internal negative spaces and a modular rhythm. Counters tend toward circular and semicircular shapes, terminals are blunt, and the overall silhouette reads crisp and engineered rather than calligraphic. Spacing appears compact and uniform in the sample text, emphasizing dense, poster-like texture at larger sizes.

Best suited to large-scale display use where the stencil construction and bold mass can be appreciated—headlines, posters, storefront or wayfinding-style graphics, product packaging, and punchy brand marks. It can also work for short bursts of copy in themed layouts, but its strong internal breaks will be most legible and impactful at medium-to-large sizes.

The repeated cutouts and solid massing give the font an industrial, utilitarian tone with a touch of mid‑century poster and signage energy. It feels assertive and functional, with a slightly technical, coded look created by the consistent internal splits.

The design appears intended to deliver a high-impact, easily reproducible stencil aesthetic with a disciplined geometric system. Its consistent cut points and simplified forms prioritize visual punch and thematic clarity over delicate detail, making it well suited to graphic, industrial-inspired typography.

The stencil bridges are prominent enough to define the personality while remaining consistent across caps, lowercase, and numerals, helping long lines of text keep a steady pattern. Round letters (like O/C/G) show the most dramatic internal segmentation, while straight-sided letters (E/F/H/N) rely on notched joins and seams to maintain the system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸