Slab Square Toba 11 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Weekly' by Los Andes, 'Cyntho Next Slab' by Mint Type, 'Prelo Slab Pro' by Monotype, and 'Metronic Slab Pro' by Mostardesign (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, retro, sporty, confident, editorial, industrial, impact, energy, vintage voice, display clarity, brand presence, sturdy, blocky, bracketed, compact, punchy.
A heavy, right-leaning slab serif with compact proportions and a strong horizontal emphasis. Strokes are low-contrast and consistently thick, with blocky slabs and small bracketed joins that keep curves from feeling sharp. Counters are relatively open for the weight, while the overall fit is tight and efficient, producing a dense, poster-friendly texture. The lowercase shows a single-storey a and g, and the numerals share the same sturdy, squared-off rhythm with firm terminals and stable footing.
This font is well suited to headlines, posters, and large typographic lockups where a strong, compact slab can carry the message. It also fits sports branding, labels, and packaging that benefit from a vintage punch and high visual density, as well as short signage or wayfinding where sturdy letterforms are preferred.
The overall tone is assertive and energetic, with a vintage, athletic flavor. Its forward slant and robust slabs read as confident and workmanlike, suggesting speed and impact without becoming ornate. The dense color and squared details lend a familiar, retro-industrial character suited to bold statements.
The design appears intended to deliver maximum impact with a condensed, forward-leaning slab serif voice—combining sturdy construction with a lively, vintage-leaning cadence. It aims for strong presence in display typography while keeping letterforms straightforward and readable through open counters and controlled detailing.
The italic construction appears drawn rather than mechanically skewed, with serifs and joins maintaining consistent shapes as letters lean forward. Rounded forms (like o, e, and c) stay fairly vertical in stress, helping keep legibility at display sizes despite the heavy weight and tight spacing.