Slab Contrasted Ihdo 11 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'FF Milo Slab', 'FF Olsen', 'FF Tisa', and 'FF Tisa Paneuropean' by FontFont and 'Sybilla Multiverse' and 'Sybilla Pro' by Karandash (names referenced only for comparison).
Keywords: headlines, posters, branding, editorial, packaging, retro, robust, confident, sporty, impact, emphasis, retro display, editorial voice, brand presence, wedge serifs, bracketed, ink-trap feel, compact counters, lively rhythm.
A sturdy italic slab-serif with wedge-like, bracketed serifs and a forward-leaning stance. Strokes show clear thick–thin modulation, with rounded joins and slightly tapered terminals that keep heavy forms from feeling blunt. The lowercase has compact, rounded counters and a lively, uneven rhythm typical of variable-width italics, while capitals are broad and weighty with pronounced slab feet. Numerals match the headline-oriented color, reading dense and stable with strong horizontal presence.
Best suited to headlines, subheads, and short blocks of copy where its weight, slant, and slab serifs can do the talking. It also works well for branding and packaging that want a retro-leaning, confident voice, and for editorial display typography where strong texture and emphasis are desirable.
The font feels assertive and energetic, combining a classic editorial seriousness with a punchy, vintage flavor. Its slanted, high-ink silhouettes create momentum and emphasis, giving text a confident, promotional tone without becoming overly decorative.
The design appears intended to deliver a bold, attention-grabbing italic slab for display use, balancing traditional serif structure with a more dynamic, contemporary rhythm. Its pronounced slabs and controlled contrast suggest a goal of maintaining impact and clarity while adding motion and personality.
In continuous text the spacing reads fairly tight and the heavy slabs create strong horizontal bands, making it especially striking at larger sizes. The italic construction is consistently integrated rather than simply slanted, with curved strokes and terminals reinforcing the calligraphic direction.