Sans Contrasted Inmy 2 is a bold, normal width, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, theatrical, jazz-age, luxe, retro, deco revival, display impact, ornamental inline, poster style, brandable, inline, stencil-like, geometric, condensed caps, flared terminals.
A decorative sans with sharp, geometric construction and dramatic contrast created through vertical inline cut-ins. Many letters feature a split-stem treatment—parallel interior stripes that read like an inline or stencil—most visible on verticals (E, F, H, I, L, N, P, R, U) and echoed in numerals. Bowls and curves are compact and often partially “shaded” by a thickened side, giving forms like C, G, O, Q, and S a sculpted, poster-like weight distribution. The capitals are tall and commanding, while the lowercase keeps a similarly stylized, display-oriented structure with simplified joins and occasional one-sided thickening that emphasizes vertical rhythm. Overall spacing and rhythm feel intentionally graphic rather than text-neutral, with strong black shapes and crisp internal voids that demand clean reproduction sizes.
Best suited for display applications where its inline detailing and dramatic contrast can be appreciated: posters, event titles, brand marks, signage, and packaging accents. It works especially well for short headlines, identities, and editorial openers where a retro-luxe tone is desired; extended body copy will feel visually dense and overly stylized.
The font conveys a classic showcard glamour with a distinctly Art Deco flavor—sleek, dramatic, and performance-minded. The inline striping suggests marquee lighting or ornamental inlay, creating a sense of luxury and spectacle. Its tone is confident and vintage-modern, suited to bold statements rather than understated communication.
The design appears intended to translate Art Deco-era display lettering into a consistent digital alphabet, using inline striping and sculpted stroke distribution to add ornament without adding serifs. It prioritizes impact, rhythm, and graphic silhouette, aiming for a distinctive voice in branding and headline settings.
Diagonal letters (V, W, X, Y, Z) use sharp, high-contrast intersections that can appear busy at smaller sizes, while round letters remain highly legible due to large, clean counters. The numerals continue the decorative logic with strong vertical accents and a similarly stylized weight shift, helping maintain cohesion in mixed alphanumeric settings.