Sans Faceted Abbub 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'British Vehicle JNL' and 'Deerfield JNL' by Jeff Levine, 'Charles Wright' by K-Type, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, sports branding, techno, industrial, arcade, sci‑fi, mechanical, impact, futurism, modularity, signage, angular, octagonal, chamfered, blocky, stenciled.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with crisp facets. Counters and bowls tend toward squared/octagonal shapes, and terminals finish flat or with angled chamfers for a machined look. The texture is dense and uniform, with tight internal apertures in letters like A, B, and P, and a consistent, modular rhythm across caps, lowercase, and numerals. Diagonals (K, V, W, X, Y) are clean and decisive, while rounded forms (O, Q, S, 0, 8) read as faceted polygons rather than smooth curves.
Best suited to display sizes where the faceted geometry can read clearly: headlines, posters, titles, packaging, and branding marks. It also fits UI labels and overlays for games or tech products, as well as athletic or industrial-themed graphics where a strong, angular texture is desirable.
The overall tone is assertive and engineered—evoking digital readouts, arcade-era graphics, and hard-edged sci‑fi interfaces. Its sharp geometry and compact counters feel utilitarian and technical, giving headlines a bold, no-nonsense presence.
The design appears intended to translate a modular, chiseled geometry into an all-purpose display alphabet, emphasizing crisp facets, compact counters, and a sturdy, constructed silhouette. It prioritizes impact and a technical mood over softness or traditional text readability.
Distinctive details include the octagonal treatment of O/0 and the angular, segmented construction of S and 2/3, which reinforces a display-first, grid-friendly aesthetic. The lowercase keeps the same hard-edged logic as the uppercase, maintaining a consistent voice rather than shifting into a softer text style.