Sans Normal Dibab 3 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica Arabic' by Linotype, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Arbeit Pro' by Studio Few, and 'Nimbus Sans Novus' and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, branding, headlines, editorial, wayfinding, clean, modern, neutral, friendly, minimal, versatility, clarity, modern utility, approachability, geometric, monoline, open apertures, rounded forms, large counters.
This typeface is a clean, monoline sans with strongly rounded, geometric construction. Curves read as near-circular in O/C/G and in the bowls of B/P/R, paired with straight-sided stems and crisply cut terminals. Proportions feel balanced and uncluttered, with generous interior counters and open apertures (notably in e, c, and s), supporting clear word shapes in running text. Lowercase forms are straightforward and contemporary, with a single-storey a and g and a simple, cleanly hooked j; numerals are similarly restrained and legible, with open, rounded shapes and consistent stroke weight.
It suits user interfaces and product typography where a clean, contemporary sans is needed, and it scales well for headings thanks to its smooth geometry and open counters. It can also work for brand systems seeking a modern, approachable voice, as well as signage and wayfinding where straightforward letterforms aid quick recognition.
The overall tone is modern and calm, aiming for clarity rather than personality-forward quirks. Its rounded geometry gives it a slightly approachable, friendly feel while staying neutral enough for everyday interface and editorial use.
The likely intention is a versatile, general-purpose geometric sans that prioritizes clarity and consistency across letters, numbers, and mixed-case text. Its restrained detailing and rounded construction suggest it was drawn to feel modern and friendly without becoming decorative.
The design relies on consistent stroke rhythm and broad curves, which makes it look particularly even at larger sizes. Diagonal letters (V, W, X, Y) appear crisp and stable, and the Q’s tail is minimal and unobtrusive, keeping the overall silhouette tidy.