Sans Superellipse Gimib 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'FS Jack' by Fontsmith, 'Nusara' by Locomotype, 'Cachet' by Monotype, and 'Core Gothic M' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, chunky, retro, approachable, impact, friendliness, modern geometry, brand voice, signage clarity, rounded, soft corners, squared rounds, compact, geometric.
A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are uniform and sturdy, with compact apertures and broadly flattened curves that read as superelliptical rather than purely circular. Terminals are mostly blunt, producing a solid, blocky texture, while counters stay relatively open in letters like O, P, and R, supporting clarity at display sizes. The lowercase is simple and contemporary, with single-storey forms and short extenders, creating a tight, even rhythm across lines.
Best suited for headlines and short-form text where bold shapes and rounded geometry can carry personality—such as posters, logos, packaging, labels, and wayfinding. It also works well for UI callouts or badges that need a friendly, high-contrast presence against simple layouts.
The overall tone is upbeat and approachable, combining a toy-like softness with a confident, poster-ready presence. Its rounded geometry gives it a friendly feel, while the dense weight and squared curves add a hint of retro industrial signage. The result is expressive without feeling decorative or overly quirky.
The design appears intended to deliver a modern geometric look built from rounded rectangles, prioritizing strong silhouettes and an inviting tone. It aims for immediate impact and legibility at larger sizes while keeping forms simple and consistent for broad graphic use.
The face maintains a consistent geometric logic across caps, lowercase, and numerals, with a slightly condensed feel created by broad verticals and compact internal spaces. Diacritics are not shown, but the base glyph set presented suggests a focus on straightforward, high-impact letterforms with strong silhouette readability.