Sans Normal Vigus 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Myriad', 'Myriad Bengali', and 'Myriad Devanagari' by Adobe; 'Aspira' by Durotype; 'Crossten' by Horizon Type; and 'Corner' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, friendly, energetic, modern, playful, motion, impact, approachability, youthful tone, brand presence, oblique, rounded, soft corners, geometric, compact.
A heavy, oblique sans with smooth, rounded curves and subtly softened corners that keep the forms friendly despite the strong weight. Strokes are largely uniform, with a clean, low-contrast construction and a slightly compressed, forward-leaning stance that adds momentum. Round letters (O, C, G) are near-circular and sturdy, while diagonals (A, V, W, X) are broad and stable, producing a confident rhythm. Lowercase shapes are simple and open, with single-storey a and g-like construction in the set, and an overall compact texture that holds together well at display sizes.
Best suited to headlines, short statements, and brand marks where a bold, energetic voice is needed. It works particularly well for sports-themed graphics, casual branding, packaging, and promotional materials, and can also serve as an attention-grabbing UI or social media display face when used at larger sizes.
The overall tone feels active and upbeat, combining a contemporary, geometric base with an athletic slant. It reads as approachable and informal rather than corporate, with a sense of motion that suggests speed, youth, and casual confidence.
The design appears intended to deliver a modern, energetic sans with a built-in sense of motion, balancing geometric clarity with rounded friendliness so it can feel sporty and approachable at the same time.
Numerals are wide and blocky with rounded internal counters, matching the letters’ solid presence. The punctuation and spacing shown in the sample text create a dense, poster-like color, with the oblique angle doing much of the expressive work.