Serif Contrasted Ulla 1 is a regular weight, wide, very high contrast, upright, short x-height font visually similar to 'Parmesan Revolution' by RM&WD, 'Bodoni Serial' by SoftMaker, and 'TS Bodoni' by TypeShop Collection (names referenced only for comparison).
Keywords: magazines, fashion, headlines, branding, posters, editorial, luxury, dramatic, refined, headline impact, premium feel, editorial tone, classic revival, visual contrast, vertical stress, hairline serifs, sharp terminals, sculpted curves, tight apertures.
A high-contrast serif with pronounced thick-to-thin modulation, vertical stress, and crisp hairline serifs. Strokes resolve into needle-like horizontals and fine entry/exit points, while bowls and curves are generously rounded and sculpted, creating a polished, chiseled rhythm. Proportions feel expansive with wide capitals and a relatively small x-height; counters are compact and apertures tend toward the narrow side, especially in letters like e and a. Overall spacing reads open and display-oriented, with strong black shapes anchored by delicate, precise details.
Best suited to display typography: magazine covers and editorial headings, fashion and beauty branding, premium packaging, and large-format posters. It can also work for short pull quotes or section openers where the dramatic contrast and hairline detailing have enough size to remain clear.
The tone is glamorous and editorial, combining elegance with a slightly theatrical sharpness. It conveys luxury and confidence—ideal for settings where contrast and sophistication should be felt immediately. The hairline features add a refined, couture-like finish, while the sturdy main strokes keep the voice authoritative.
The design appears intended to deliver a classic, high-end serif look with maximum contrast and a contemporary, polished edge. Its wide stance and small x-height emphasize elegance and hierarchy, prioritizing striking headline impact over neutral text invisibility.
Distinctive thin crossbars and hairline joins create a striking shimmer at large sizes, and some forms show a deliberately stylized, slightly calligraphic flair in their terminals. Numerals mirror the same contrast and curvature, giving figures a formal, headline-ready presence.