Sans Faceted Ilda 10 is a light, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, ui labels, posters, futuristic, technical, geometric, sleek, industrial, tech aesthetic, geometric styling, interface clarity, display impact, systemic consistency, octagonal, chamfered, rounded corners, streamlined, minimal.
This typeface is built from clean monoline strokes with consistent thickness and a distinctly faceted construction: curves are largely replaced by straight segments and chamfered joins, yielding octagonal bowls and clipped terminals. Corners are slightly rounded, softening the geometry without losing its angular, engineered feel. Proportions run horizontally generous with open counters and a steady baseline rhythm; round letters like O and Q read as polygonal forms, while diagonals in K, V, W, X, and Y are crisp and evenly tensioned. Numerals follow the same planar logic, with segmented arcs and compact, mechanical curves.
Best suited to display settings where its faceted geometry can read clearly: tech-forward branding, game and film titles, poster headlines, product markings, and interface labels. It can work for short passages in settings that benefit from a clean, engineered aesthetic, especially at sizes where the chamfers and polygonal bowls remain distinct.
The overall tone feels futuristic and instrument-like, evoking sci‑fi interfaces, electronics labeling, and precision hardware. Its faceting and controlled spacing convey a cool, deliberate voice—more technical than friendly—while the rounded corner treatment keeps it approachable rather than aggressive.
The letterforms appear designed to translate circular forms into planar facets, creating a cohesive techno-geometric voice with consistent stroke behavior and repeatable angles. The intent seems to prioritize a modern, fabricated look—like type cut from machined paths—while preserving clarity through open shapes and restrained detailing.
The design maintains strong stylistic consistency across uppercase, lowercase, and figures, with repeated chamfer angles and uniform stroke endings. The lowercase keeps the same geometric discipline as the caps, and the punctuation seen in the sample text (period, colon, apostrophe, ampersand, question mark) matches the linear, faceted construction.