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Sans Normal Magud 5 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Arupala Grotesk' by Jetsmax Studio, and 'Oddlini' by sugargliderz (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, dynamic, modern, impactful, emphasis, speed, power, modernity, display clarity, oblique, compact apertures, rounded corners, ink traps, soft terminals.


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A heavy, oblique sans with broad proportions and a crisp, contemporary construction. Strokes are largely monolinear with rounded curve transitions and subtly softened corners, giving counters a smooth, circular feel while keeping edges clean. Many joins and inside corners show small triangular cut-ins that read like ink-trap or notch detailing, adding texture and helping dense shapes stay open at display sizes. The lowercase has a prominent x-height and sturdy bowls, while the figures are chunky and stable, with a strong forward slant across the set.

Best suited to display typography where strong emphasis is needed—headlines, posters, promotional graphics, and bold brand moments. It also fits sports and action-oriented identities, apparel graphics, and packaging where a compact, high-impact voice is desirable.

The overall tone is energetic and forceful, with a forward-leaning stance that suggests motion and urgency. Its dense black silhouette and engineered corner details give it a sporty, performance-driven character that feels contemporary and confident.

The design appears intended to deliver maximum visual punch with a streamlined sans structure, combining a consistent oblique stance with refined corner shaping to maintain legibility in dense, heavy forms. The goal is a modern, motion-forward display face that stays clean and controlled under high contrast of figure–ground.

Because of the weight and tight internal apertures, the face reads best when given breathing room; slightly increased tracking can improve clarity in longer lines. The italic angle is consistent and contributes significantly to the type’s personality, making the rhythm feel fast and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸