Solid Lehi 7 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Entuista' by Azzam Ridhamalik, 'Chop Crap' by Flawlessandco, 'Expreso' by JVB Fonts, 'SG Larchett' by Studio Gulden, 'Matryoshka' by Volcano Type, and 'Raintage' by ahweproject (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, stickers, playful, chunky, quirky, cartoonish, bouncy, attention, humor, bold branding, graphic texture, novelty display, rounded, blobby, soft corners, compact, stencil-like.
A heavy, compact display face built from thick, rounded masses with softened corners and subtly uneven contouring. Counters are largely collapsed, leaving many letters as solid silhouettes with small notches or bites suggesting internal structure. The rhythm is tight and vertical, with short extenders and a large lowercase body relative to capitals; curves and joints feel inflated rather than geometric. Spacing appears dense in running text, and the irregular edge behavior gives each glyph a slightly hand-cut, molded look while maintaining consistent overall weight.
Best suited to short, high-impact display use such as headlines, posters, logos, and packaging where the solid silhouettes can function as graphic shapes. It also works well for playful branding, children’s materials, and bold social graphics. For body text or small UI sizes, the collapsed counters and tight texture may hinder legibility.
The font reads as playful and informal, with a toy-like, cartoon poster energy. Its solid shapes and squashed openings create a mischievous, slightly chaotic tone that feels more comedic than serious. The overall impression is bold, attention-grabbing, and intentionally imperfect.
The design appears intended to deliver maximum visual punch with a friendly, cartoon-like softness, prioritizing silhouette and texture over traditional readability. By collapsing counters and rounding forms, it aims to create a distinctive novelty voice that feels hand-formed and attention-first.
Because interior openings are minimized, character differentiation relies on outer silhouettes and small edge cuts; this can reduce clarity at smaller sizes or in long passages. In larger settings the chunky forms become a strong graphic texture, especially in all-caps headlines and short words.