Slab Contrasted Ohta 1 is a very bold, normal width, high contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, signage, logos, western, vintage, rugged, playful, bold, display impact, vintage texture, poster style, thematic branding, rugged character, slab serif, tuscan hints, stencil-like, distressed, bracketed serifs.
A heavy, display-oriented slab serif with compact proportions, strong vertical emphasis, and pronounced slab terminals. Strokes show noticeable contrast, with thick stems and comparatively finer joins and internal shaping. Serifs are bold and mostly rectangular with slight bracketing, while curves are broad and confident, giving letters a chunky, poster-ready silhouette. Many glyphs include intentional interior cutouts and nicks that read as a distressed, slightly stencil-like treatment, producing irregular negative spaces within counters and along strokes. Spacing and widths vary across the set in a traditional, print-style rhythm, and punctuation and numerals maintain the same robust, high-impact construction.
This font is well suited to short, prominent text such as headlines, posters, labels, and storefront-style signage where its mass and textured cutouts can carry personality. It can also work for branding marks and themed packaging that benefit from a bold, vintage or western-leaning voice, especially at medium-to-large sizes.
The overall tone feels vintage and frontier-adjacent—assertive, attention-grabbing, and a little mischievous. The worn-in cutouts add a handmade, weathered character that suggests old posters, stamped signage, or printed ephemera rather than pristine corporate typography.
The design appears intended to deliver maximum impact with a classic slab-serif foundation, then add character through deliberate distressing and slightly decorative slab forms. The goal reads as a display face that evokes printed heritage and rugged informality while staying highly legible in headline contexts.
The distressed detailing is substantial enough to become part of the letter identity, especially in rounded forms and within bowls, so it reads best when the texture is allowed to remain visible. At small sizes or in low-contrast reproduction, the interior breaks may begin to fill in or visually clutter, while larger settings preserve the intended roughened charm.