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Wacky Apfy 6 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to '403 Quzie' by 403TF, 'Murat Grotesque' by Bülent Yüksel, 'Raven Hell' by Creativemedialab, 'FF Hardsoul' by FontFont, 'Flower' by Graphicxell, 'Odradeck' by Harvester Type, 'Beni' by Nois, and 'Policia Secreta' by Woodcutter (names referenced only for comparison).

Keywords: headlines, posters, logos, signage, packaging, industrial, retro, poster, tough, quirky, attention, attitude, distinctiveness, beveled, chamfered, blocky, angular, condensed.


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A heavy, condensed display face built from rigid, slab-like strokes and sharply chamfered corners. The forms feel carved and faceted: rounds are reduced to octagonal silhouettes, and terminals often end in clipped, wedge-like angles. Counters are compact and mostly rectangular, with occasional narrow vertical cut-ins (notably in letters like B and R) that add a stenciled, engineered rhythm. Numerals and capitals maintain a consistent, tightly packed texture, while lowercase echoes the same geometry with simplified, chunky joins.

Best suited for high-impact display settings such as posters, album/film titles, bold branding marks, packaging fronts, and attention-grabbing signage. It performs especially well when set large, where the chamfered geometry and carved-in details read as intentional style rather than visual noise.

The overall tone is bold and theatrical with a rugged, mechanical edge. Its faceted shapes and tight spacing evoke vintage signage and punchy headline typography, while the slightly idiosyncratic cuts give it an offbeat, characterful “one-of-a-kind” feel.

This font appears designed to deliver maximum visual punch through compact width, heavy strokes, and distinctive chamfered detailing, creating a faceted, sign-paint-like voice with a deliberately quirky edge. The consistent angular construction suggests an aim for a strong, recognizable texture rather than neutral readability.

The design’s strong verticals and clipped diagonals create a prominent zig-zag silhouette along tops and bottoms of words, producing an assertive texture at larger sizes. The condensed proportions and dense counters can reduce clarity in small sizes or long passages, but they amplify impact in short bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸