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Sans Superellipse Pogar 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'MC District Pomay' and 'MC Fectron' by Maulana Creative, 'PF Mellon' by Parachute, 'Galderglynn 1884' by Typodermic, and 'Aeternus' by Unio Creative Solutions (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, condensed, assertive, poster-like, modern, industrial, impact, space-saving, modern utility, display emphasis, high impact, compact, blocky, rounded corners, tight spacing.


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This typeface is a highly condensed, heavy sans with compact proportions and a strong vertical rhythm. Strokes are largely uniform in weight with minimal modulation, producing solid, blocklike letterforms. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-yet-soft feel, and terminals read clean and blunt rather than tapered. The lowercase shows a tall x-height with short ascenders/descenders, and the numerals share the same narrow, tightly fit construction for dense, space-efficient setting.

Best suited for display typography where maximum impact is needed in minimal horizontal space—headlines, posters, packaging, and bold brand lockups. It can also work for short signage and labels where a compact, emphatic voice is desirable, but it is less suited to long-form text due to its dense color and tight proportions.

The overall tone is forceful and utilitarian, with a contemporary, no-nonsense voice. Its tight width and heavy color evoke headline typography used for urgency, authority, and high visibility rather than subtlety or elegance.

The design appears intended to deliver a space-saving, high-impact sans with a modern superelliptical construction. By combining heavy strokes with rounded-rectangle curves and a tall lowercase, it aims for strong legibility at large sizes while maintaining a distinctive, engineered silhouette.

Round letters retain relatively small counters for the weight, which increases darkness and presence at display sizes. The condensed width amplifies verticality, and the rounded-rect curves keep the texture from feeling sharp or spiky, maintaining a controlled, engineered character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸