Sans Superellipse Logij 10 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'Albireo' and 'Albireo Soft' by Cory Maylett Design, 'FF Cst Berlin East' by FontFont, 'Monologue' and 'Monologue Rounded' by Halfmoon Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, condensed, retro, confident, space saving, high impact, signage clarity, soft geometry, brand presence, rounded, monoline, tall, compact, clean.
A tightly condensed sans with tall proportions and consistently heavy, monoline strokes. Curves and terminals are softened into rounded, superelliptical shapes, giving counters a rounded-rectangle feel rather than true circles. The rhythm is vertical and compact, with short crossbars and narrow apertures that keep letters dense while remaining clearly separated. Numerals and capitals follow the same elongated, rounded construction for a unified, display-forward texture.
Best suited to headlines, posters, and brand marks where a compact, space-saving width is beneficial. It also fits packaging, labels, and signage systems that need strong presence and consistent texture across caps, lowercase, and numerals. For longer passages, it works most naturally in short bursts such as subheads, captions, or callouts.
The overall tone feels assertive and utilitarian, like labeling and wayfinding that needs to read fast in limited space. Rounded corners add a friendly, slightly retro warmth, tempering the strict verticality and making it feel more approachable than a purely mechanical condensed sans.
This font appears designed to deliver high impact in tight horizontal space while keeping forms friendly through rounded, superelliptical geometry. The goal seems to be a sturdy, modern display sans that maintains clear character shapes across letters and digits in dense compositions.
The design’s distinctive identity comes from its combination of strong vertical emphasis and softened geometry—straight strokes dominate, but joins and ends are consistently rounded. This creates a dark, even typographic color and a compact word shape that stands out in headlines and stacked layouts.