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Sans Normal Kerib 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Milo' by FontFont, 'Rooney Sans' by Jan Fromm, 'PF Adamant Sans Pro' by Parachute, 'Plantago' by Schriftlabor, and 'Rehn' by moretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logotypes, playful, friendly, retro, punchy, casual, impact, approachability, nostalgia, display emphasis, motion, rounded, soft, bouncy, ink-like, compact.


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A very heavy, right-slanted sans with rounded, swollen forms and tightly curved joins that create a soft, cushiony silhouette. Strokes are largely monolinear with subtle thickening at curves, giving an ink-like, brush-leaning texture without sharp contrast. Counters are small and enclosed, apertures tend to be narrow, and terminals are blunt and rounded, producing dense, high-impact word shapes. The rhythm is lively and slightly irregular in feel due to the slant and the gently bulging curves, while numerals match the same stout, compact construction.

Best suited for short, prominent copy such as headlines, posters, labels, and packaging where the heavy, rounded shapes can deliver maximum impact. It can also work for branding and logotype treatments that want a friendly, retro-leaning voice, especially when set with generous tracking and ample line spacing.

The overall tone is upbeat and approachable, with a nostalgic, display-forward personality. Its chunky, rounded forms feel friendly and informal, leaning toward classic headline styles seen in mid-century advertising and playful packaging.

The design appears intended as a high-impact, friendly display italic: compact, rounded letterforms that prioritize presence and charm over neutral readability. Its consistent, soft geometry and dense color suggest a focus on attention-grabbing titles and brand-forward messaging.

At larger sizes the exaggerated weight and closed counters read as bold and charismatic; in longer text blocks the density and tight internal spaces can reduce clarity. The italic angle and rounded terminals contribute to a sense of motion and warmth rather than precision.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸