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Free for Commercial Use

Serif Other Erne 3 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Sejam' by StudioJASO and 'Joane' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, magazine, branding, posters, packaging, fashion, editorial, dramatic, refined, retro, distinctiveness, luxury tone, display impact, editorial voice, high-contrast feel, knife-edge, flared terminals, wedge serifs, ink-trap cuts.


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A decorative serif with sharply sculpted forms and pronounced triangular cut-ins that create a chiseled, stencil-like rhythm. Strokes are generally robust, with crisp wedge serifs and flared terminals that taper to fine points in places, producing a distinctive alternation between dense black areas and small interior notches. Curves (notably in C, O, Q, S, and numerals) show deep bites and pinched joins that add sparkle and tension without becoming fully fragmented. The lowercase is compact and sturdy with rounded counters, while capitals feel more display-oriented and monumental, emphasizing sharp apexes and dramatic negative spaces.

Best suited to display settings such as magazine heads, fashion/editorial layouts, branding marks, posters, and premium packaging where its carved details can be appreciated. It can work for short subheads or pull quotes at larger sizes, but the dense texture and sharp notches make it less ideal for extended small-size text.

The overall tone is high-fashion and editorial, with a dramatic, boutique sophistication that reads as modernized vintage. Its sharp cut details and bold silhouettes convey confidence and theatricality, leaning toward luxe branding and statement typography rather than quiet neutrality.

Likely intended as a statement serif that blends classic proportions with a contemporary, cut-away construction to add texture and memorability. The consistent system of wedges and notches suggests a focus on creating a distinctive brand voice while preserving recognizable serif letterforms.

The design’s identity is driven by repeated angular incisions at bowls, joins, and terminals, which can visually tighten spacing and make dense words feel more patterned. Numerals echo the same carved motif, keeping the set cohesive for headline use and stylized titling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸