Sans Superellipse Ogdaw 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'Magnitudes' by DuoType, 'Rice' by Font Kitchen, 'Evanston Tavern' by Kimmy Design, 'LHF Advertisers Square' by Letterhead Fonts, 'Kairos Sans' by Monotype, 'Navine' by OneSevenPointFive, 'Hype Vol 1' by Positype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, product packaging, signage, industrial, sporty, assertive, modern, utilitarian, impact, durability, modernization, rounded corners, compact, blocky, stencil-like, squared curves.
A heavy, block-like sans with rounded-rectangle geometry and consistently softened corners. Strokes are uniform and dark, with compact counters and squared curves that keep round letters feeling more like superellipses than circles. Terminals are blunt and flat, and joins are clean and mechanical, producing a tight, high-impact texture in text. The lowercase is sturdy and simplified, with single-storey forms (notably the a) and minimal interior detail to preserve weight at small openings.
Best suited for bold headlines, posters, and identity work that needs a compact, punchy voice. It also fits sports branding, labels, and wayfinding where simple, blocky letterforms reproduce reliably and maintain presence at a distance.
The overall tone is tough and functional, leaning toward industrial and athletic signage. Its squared-yet-rounded shapes feel engineered and purposeful, conveying strength and directness rather than refinement or softness.
Likely designed to deliver maximum visual impact through compact, rounded-rectangular forms and minimal contrast, prioritizing sturdiness and reproducibility. The simplified shapes and occasional notch details suggest an aim toward contemporary, industrial-flavored display typography.
Several glyphs show deliberate cut-ins and notches that create a faint stencil/tech flavor without becoming fully segmented. In running text the dense black mass and short apertures make it most effective at display sizes and short bursts where impact matters more than airy readability.