Sans Superellipse Hidiw 11 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Brinova' by Digitype Studio, 'Mercurial' by Grype, 'Base Runner JNL' by Jeff Levine, 'Treadstone' by Rook Supply, 'Breuer Condensed' by TypeTrust, 'Hockeynight Sans' by XTOPH, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, sporty, assertive, modern, compact, space-saving impact, display strength, geometric consistency, brand presence, rounded corners, condensed, blocky, geometric, closed apertures.
A compact, heavy sans with a squared, superelliptic construction: curves resolve into rounded rectangles and corners stay softly radiused rather than fully circular. Strokes are consistently thick with minimal contrast, producing dense counters and mostly closed apertures, especially in letters like C, S, and e. The proportions are tightly condensed with short extenders and sturdy terminals, while joins and diagonals (K, V, W, X) keep a blunt, engineered feel. Numerals match the same blocky geometry, and the overall texture reads as a dark, even typographic color.
Best suited to display roles where dense, compact letterforms are an advantage—headlines, posters, logo wordmarks, packaging, and short signage. It also fits UI badges, team/club marks, and product labels that benefit from a sturdy, space-efficient sans.
The overall tone is tough and utilitarian, with a sporty, high-impact presence. Its compact, squared-round shapes suggest industrial labeling and contemporary athletic branding more than delicate editorial typography.
The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent squared-round geometry to create a cohesive, modern display voice. The emphasis is on solidity and legibility at headline sizes through simplified shapes, thick strokes, and controlled, industrial proportions.
Spacing and fit appear tuned for headline settings: the bold forms pack tightly and hold their shape at large sizes, while the smaller interior spaces and closed apertures may require generous size or tracking for maximum clarity. Round glyphs like O and 0 read as tall rounded-rectangles, reinforcing the condensed, engineered rhythm.