Sans Superellipse Otmaz 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february and 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, industrial, techy, assertive, sporty, futuristic, impact, modernization, systemization, clarity, squared, rounded corners, compact, blocky, geometric.
A heavy, geometric sans built from squared bowls and rounded-rectangle counters, giving most curves a superelliptic feel rather than true circles. Strokes are monoline and dense, with broadly cut terminals that stay flat and orthogonal, while corners are consistently softened. Uppercase forms read compact and sturdy, with generous internal rounding that prevents counters from collapsing. Lowercase follows the same squared construction, with a single-storey a and g, and simple, utilitarian joins. Numerals match the system: boxy outlines, wide apertures, and stabilized shapes intended to stay clear at display sizes.
Best suited to headlines, logos, posters, and packaging where strong presence and a modern, constructed feel are desired. It also fits UI labels, signage, and sport/tech branding when used at larger sizes where the blocky counters and tight curves read cleanly.
The overall tone is tough and utilitarian, with a modern, engineered character. Its rounded-square geometry suggests contemporary tech, athletic branding, and industrial wayfinding rather than editorial warmth. The weight and blunt terminals convey confidence and impact.
The font appears designed to deliver maximum impact through a unified rounded-rectangle geometry—prioritizing solidity, consistency, and a contemporary industrial voice. Its forms emphasize stability and clarity in bold display settings while keeping a streamlined, system-based aesthetic.
The design relies on consistent corner radii and rectangular counters, producing a rhythmic, modular texture in lines of text. Narrower letters like I, J, and 1 keep the same slab-like simplicity, while round letters (O, Q, 0) remain squared enough to maintain a cohesive, systemized look.