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Solid Ogge 3 is a very bold, very narrow, low contrast, reverse italic, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Chamelton' by Alex Khoroshok, 'Hadney Buddy' by Arterfak Project, 'Graffiti Bomerang' by Nirmana Visual, 'SG Larchett' by Studio Gulden, and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, stickers, kids, packaging, playful, goofy, cartoon, bouncy, chunky, attention grab, comic tone, shape lettering, youthful branding, statement display, rounded, blobby, puffy, soft, organic.


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A heavy, blob-like display face built from inflated, rounded silhouettes with intentionally irregular contours. Strokes merge into solid masses, with counters largely collapsed, creating compact letterforms that read as bold shapes rather than drawn outlines. The set shows a gentle rightward slant and a lively, uneven rhythm, with subtle variations in width and curvature from glyph to glyph. Terminals are soft and bulbous, and the overall texture is dense, dark, and highly graphic at text sizes.

Best suited for short, bold applications such as posters, headlines, cover art, stickers, playful packaging, and social graphics where personality matters more than fine detail. It also works well for kids-oriented or comedic branding, event promos, and punchy callouts that need a soft, chunky presence.

The font conveys a playful, silly energy—more toy-like and cartoonish than formal. Its squishy forms and lopsided rhythm suggest spontaneity and humor, making the tone feel friendly, loud, and attention-grabbing.

The design appears intended to turn letters into expressive, filled-in shapes with a deliberately imperfect, hand-molded feel. By collapsing counters and emphasizing rounded mass, it prioritizes impact and character over conventional text clarity, aiming for a fun, novelty-driven display voice.

Because interior spaces are minimized, legibility drops quickly at small sizes and in longer passages; the design performs best when given ample size and contrast against the background. In the samples, word shapes remain energetic but can become near-solid bands when tightly set, so generous tracking and line spacing help preserve readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸