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Free for Commercial Use

Solid Ogbo 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Chop Crap' by Flawlessandco, 'Galpon Pro' by RodrigoTypo, 'SG Larchett' by Studio Gulden, 'Matryoshka' by Volcano Type, and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, blobby, goofy, cartoon, sticky, attention grab, comic tone, soft impact, novel display, chunky, rounded, bulbous, soft corners, lumpy.


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A heavy, compact display face built from swollen, rounded silhouettes with irregular, hand-formed edges. Strokes read as merged masses rather than articulated letter skeletons, with many counters minimized or collapsing into solid shapes, especially in rounded letters. Terminals are soft and blunt, and joins often bulge, creating a lumpy rhythm across the alphabet. Proportions are condensed overall with a tall lowercase presence, and letter widths vary noticeably, giving words an uneven, organic texture.

Best suited to short display settings where a big, soft, high-impact silhouette is desirable—posters, splashy headlines, packaging, stickers, and playful branding. It can also work for children’s materials or novelty merchandise where legibility can be supported by size, spacing, and simple layouts.

The tone is cheerful and mischievous, evoking gummy, marshmallow-like forms and playful cartoon signage. Its deliberately imperfect contours and closed-in interiors make it feel informal, bold, and attention-seeking rather than precise or refined.

The likely intention is to deliver a bold, humorous, almost “melted” or inflated look that reads instantly as fun and unconventional. By minimizing counters and emphasizing blobby contours, the design prioritizes graphic presence and character over typographic neutrality.

In text lines the dense black coverage and reduced internal openings create strong silhouette impact but can cause letters to visually merge at smaller sizes or tight spacing. The design relies on outline recognition more than counter clarity, so generous tracking and larger display sizes help preserve legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸