Sans Superellipse Tudo 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic Rounded', 'Rama Gothic', and 'Rama Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, apparel, album art, industrial, grunge, poster-like, condensed, assertive, high impact, space saving, weathered print, utility feel, display voice, blocky, rounded corners, stenciled texture, rugged.
A condensed, heavy sans with rounded-rectangle construction and a tall, dominant x-height. Strokes are mostly monolinear, with straight-sided verticals and compact counters that create a dense, dark typographic color. Many glyphs show irregular, distressed edges and interior scuffing, producing a worn print effect while keeping the underlying geometry consistent. Terminals are blunt and squared-off, and curves (C, O, S) read as squarish rounds rather than true circles, reinforcing the superelliptical, poster-oriented structure.
Best suited to short, high-impact settings such as posters, headlines, labels, and packaging where the condensed width helps fit more characters without losing presence. It also fits branding elements that benefit from a rugged, printed texture—merch, album/playlist art, event promotions, and bold editorial callouts. For body copy or small sizes, the dense counters and distressing may reduce clarity, so it will perform strongest at display sizes.
The overall tone feels industrial and punchy, like ink that has been screen-printed, stamped, or weathered over time. The distressing adds grit and urgency, giving the face a street-level, workwear, or underground music sensibility while still reading as a straightforward, no-nonsense sans.
The design appears intended to combine a utilitarian condensed grotesque structure with a deliberately worn, tactile surface. It aims for fast recognition and strong silhouette, while the distressed treatment injects character reminiscent of stamped lettering or aged signage.
Because of the narrow proportions and heavy weight, spacing and counters become visually tight in longer text, especially around letters like a/e/s and numerals such as 8/9. The distressed detailing appears consistently across the set, suggesting a deliberate texture layer rather than incidental noise.