Sans Superellipse Geguv 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, retro, high-impact, playful, impact, speed, branding, display, attention, slanted, blocky, rounded, compact, angular terminals.
A heavy, right-slanted display face built from chunky, rounded-rectangle forms with tight internal counters and crisp, squared-off cuts. Strokes are broadly uniform, with strong weight concentration and minimal modulation, giving letters a compact, stamped look. Many joins and terminals show angled notches and wedge-like cuts that add bite and motion while keeping the overall silhouette smooth and superelliptical. The rhythm is dense and punchy, with sturdy verticals and simplified curves that hold up in large sizes.
Best suited to headlines, posters, and branding where immediate impact matters—especially sports, streetwear, and energetic retail packaging. It can work well for logos and wordmarks that benefit from a forward-leaning, dynamic stance. Use larger sizes and generous spacing for multi-word titles to keep counters from filling in visually.
The tone is energetic and forceful, leaning toward sports and action branding with a slightly vintage, poster-like swagger. Its slant and sharp cut-ins create a sense of speed and urgency, while the rounded geometry keeps it approachable rather than harsh. Overall it reads as bold, confident, and attention-seeking.
The design appears intended as a bold, italicized display sans that mixes rounded, superellipse construction with aggressive cut terminals to convey motion. It prioritizes strong silhouettes and graphic presence over neutrality, aiming for high visibility and a distinctive, sporty voice.
Numerals and uppercase share the same compact, block-driven construction, which helps the set feel consistent in headlines. The lowercase retains strong personality through exaggerated cuts and tight apertures, making the texture more graphic than text-like. In longer lines the dense weight and narrow openings can darken the page color, favoring short bursts over continuous reading.